ZEISS® Vario-Sonnar T* 24–600 mm² F2.4-4.0 zoom lens

A ZEISS® Vario-Sonnar T* 24–600 mm² (25x optical zoom) F2.4-4.0 lens with eight ED (Extra-low Dispersion) elements, including two aspherical ED elements, delivers stunning image quality.

1.0-type Exmor RS™ CMOS image sensor

A 1.0-type Exmor RS CMOS sensor with 20.1 megapixels³ delivers detailed rendering with natural gradations. Stacked sensor architecture boosts signal processing speed.

BIONZ XR™ high-speed image processing engine

The BIONZ XR engine delivers an ideal mix of noise reduction and outstanding image quality especially at mid to high sensitivities. Advanced algorithms ensure optimum exposure with natural colour and gradients.

3-cm close focus for impressive macro shooting

Focus as close as 3 cm⁴ at wide angle (0.42x max. magnification⁵) or 72 cm⁴ at telephoto (0.49x max. magnification⁵) without complex focus modes, for impressively detailed close-ups and macro shots of small subjects.

Lifelike rendering of wide dynamic range scenes

The updated D-Range Optimiser (DRO) balances bright highlights and dark shadows and offers a wider range of strength settings, up to Lv8⁶. At higher levels, DRO lifts shadow areas in strong backlight, delivering more natural-looking portrait shots.

Creative Look

Creative Look makes it easy to create visual moods for stills or movies right in the camera. 12 presets can be used as-is or edited to create custom looks that can be saved for later use.

Blackout-free bursts up to 30fps⁷ with AF/AE tracking

Shoot up to 30fps⁷ bursts with full AF/AE tracking and no viewfinder blackout. Up to 60 AF/AE calculations per second⁸ ensure that important action can be captured with confidence. Silent shooting⁹ allows you to shoot with no shutter sound.

Up to 575 focus points¹⁰ for fast, precise AF

Fast Hybrid AF combines phase-detection AF with contrast AF. 575 phase detection AF points¹⁰ cover approximately 70.6% of the image area for precise focus even on small or active subjects.

Real-time Recognition AF¹¹ of a wider range of subjects

A dedicated AI processing unit reliably recognises [Human], [Animal], [Bird], [Insect], [Car/Train] and [Airplane] subjects.¹¹ An [Auto] mode can automatically select the subject type.¹²

Human pose estimation technology

With an advanced AI processing unit, the RX10 V reliably recognises human eyes as well as body and head position, making it possible to accurately lock onto and track a wide range of subjects, even when the subject faces away from the camera or the face is partially obscured.¹¹

Reliable Real-time Tracking¹³

Real-time Tracking¹³ accurately focuses on and tracks a selected subject when the shutter button is half-pressed. If [Touch Tracking] is engaged,¹⁴ touching a subject on the monitor will instantly select it for tracking.

High-frame-rate video recording at up to 4K 120p¹⁵

Record detailed high-frame-rate 4K 120p¹⁵ footage that can be processed for up to 5x slow-motion playback.¹⁶ The S&Q mode¹⁷ plays video at slow or high speed in the camera.
The RX10 V offers an impressive range of video recording formats, including 10-bit 4:2:2 recording and All-Intra compression.

Active Mode¹⁸ image stabilisation for handheld shooting

Active Mode stabilisation¹⁸ uses highly accurate gyro sensors and optimised image stabilisation algorithms to provide a highly effective blend of electronic and optical stabilisation for video recording, for example for shooting while walking.

Digital audio interface for high quality sound recording

A built-in digital audio interface applied to the Multi Interface (MI) Shoe™ allows connection to compatible Sony microphones (sold separately) for high-quality digital input and recording. Two or four channels can be recorded¹⁹.

S-Cinetone™ for cinematic colour without grading

Sony’s S-Cinetone picture profile delivers cinematic and natural mid-tones for healthy-looking skin, plus soft colours and gorgeous highlights, without the need for colour grading.

S-Log3 supports post-production workflows

The S-Log3 gamma curve helps to maintain smooth, natural gradations from shadows to mid-grey (18% grey), making it easier to grade for high image quality in post-production. S-Gamut3 and S-Gamut3.Cine colour spaces are supported. Imported user LUTs (.cube)²⁰ can be used as alternatives to the preset picture profiles (PPLUT 1 through 4) to provide the final graded output.

[1] Before grading [2] Graded