Interview with Sudhir Chaudhary
In this interview, Sudhir Chaudhary talks about his journey from the early days, marked by the pursuit to make every film more visually striking than the last. He revisits iconic scenes, the thrill of shooting under testing conditions, and the precision of lenses that shaped unforgettable looks.
We were shooting with the FX3 on a Ronin, and we were running with the camera in the jungle. We wouldn't have been able to work at that pace unless Sony VENICE gave us that flexibility. VENICE also played an important role in the film. I mean, I can shoot a whole feature with that. The whole ecosystem of Cinema Line cameras is so well designed that it cuts beautifully with each
other.
We were shooting with the FX3 on a Ronin, and we were running with the camera in the jungle. We wouldn't have been able to work at that pace unless Sony VENICE gave us that flexibility. VENICE also played an important role in the film. I mean, I can shoot a whole feature with that. The whole ecosystem of Cinema Line cameras is so well designed that it cuts beautifully with each other.
Shot on VENICE
Blurr
Raid 2
Dhrishyam 2
Pyaar Ka Punchnama
Sonu Ke Titu Ki Sweety
OTHER DOP STORIES
Anuj Samtani
Cinematographer
From Masaba Masaba 2 to Call Me Bae, Anuj brings sleek, stylized storytelling to the digital screen.
Amalendu Chaudhary
Cinematographer
Known for Stree and Chhichhore, Amalendu blends realism with magical storytelling using light and lens.
Ayananka Bose
Cinematographer
Known for Freddy and Satyaprem Ki Katha, Ayananka fuses glamour and emotion with precision and flair.
Vishal Sinha
Cinematographer
With Ghoomer and Phir Aayi Haseen Dilruba, Vishal crafts moody frames that heighten emotion and intrigue.
Sylvester Fonseca
Cinematographer
Whether it’s the grit of Kennedy or the soul of Amar Singh Chamkila, Sylvester’s visuals pulse with raw intensity.
